Colorfront On-Set Dailies 2023 | What's New?

Optimized Import Above 30 Clips
On-Set Dailies introduces two new Metadata settings to streamline the import process: "Optimized Import" enables more efficient import with deferred metadata parsing and asynchronous thumbnail generation, while "Optimized Import Limit" (default: 30) activates this enhanced import process based on the minimum number of clips.

Menu Selector to Show Active Hotkey Configuration
On-Set Dailies introduces a User » Select hotkey layout menu, giving users a choice between two configurations: "Classic," the traditional layout, and "Modern," aligning with industry-standard editing and post-production applications for a streamlined workflow, allowing customization of your workspace.

Scrollable Audio Mixdown Window
The Audio Mixdown Window now includes a vertical or horizontal scrolling feature, allowing easy navigation through mixdowns with numerous source and output channels

New Encoder Group for QC-related Encoders
A new encoder category has been created on the Render Page for encoders that can be used for quality checking of timeline content, including the frame light level and the loudness reporting encoder.

Importing Project Settings File
In this latest update, easily import configuration files to update project settings in On-Set Dailies, by selecting File » Apply Project Settings File and choosing the JSON file with preferred configurations. Custom values will be automatically updated in the Settings.

Enhanced Dailies Metadata Editor
The Dailies Metadata Editor has undergone enhancements to seamlessly accommodate five or more metadata value fields simultaneously, effectively eliminating the issue of text fields overlapping. Furthermore, the addition of new metadata to the Project Data Names field in the Base Settings section no longer requires reloading the timeline.

Metadata Editing in Shots Table
Editing shot metadata is now more efficient with the editable Shots Table, eliminating the need for individual clip edits in the GUI. Users can easily customize metadata, like changing file names or creating burn-in texts, by double-clicking the desired table field.

Two ACES Pipeline Versions
On the Project Load Page, now you can choose between the standard ACES pipeline and the original version with CFE LMT color processing, which has been renamed from ACES to ACES with CFE LMT. The newly introduced standard version is now simply referred to as ACES. You have the flexibility to switch between the two ACES options in the Pipeline Setup window.

Import ACES Looks
The File > Import Looks menu has two new options for importing various ACES looks:
- The Import Legacy ACESCCT as CLF option converts .cube to .CLF format, placing it in the aceslut folder within your project directory.
- The Import ACES CLF menu item imports the selected CLF file into the aceslut folder located under the installation home directory.

Enhanced Font Editing within BurnIn Node
The latest update enhances the BurnIn node by offering improved font customization, including font selection, adjustable text sizing, customizable RGB font color, and the ability to control text rotation, giving users more flexibility and control over their burn-in text.

Global Controls in BurnIn Node
The BurnIn node's G tab (formerly M tab) introduces two global settings: HDR Brightness to adjust overlay brightness, and a Color Space selector for accurate color representation across various display formats, encompassing SDR, HDR, and specific color gamuts.

New Logo Tool on Node Page
This latest On-Set Dailies version introduces a dedicated Logo node on the Node Page for timeline logos. It offers file selection, color space options, position adjustment, and various customization features, including logo appearance settings.

Improved Sharpening for ARRIRAW
The latest update for the ARRIRAW tool includes improved sharpening capabilities, allowing users to set the sharpness parameter within a range of -5.0 to 5.0 during footage downscaling, with 0.0 preserving the original sharpness of the footage, to provide greater control and precision in adjusting the sharpness of Arri RAW content.

DJI CinemaDNG Debayer Color Space Support
The DJI CinemaDNG debayer color space is now supported, ensuring smooth compatibility with DJI's high-quality raw footage format. Users can efficiently process these files using the CSC color conversion tool on the Render Page with specific curve and color space selections in the HUD.

Support for Third-Party OpenFx Plugins
A new OpenFx tool on the Node page now supports third-party OpenFx plugins. This tool, located in the "Other tools" category, includes a Plugins selector in the HUD for Windows OS. Whitelisting plugins is also possible via adjustments in the Startup.xml.

Multi-Mono Audio Option for AS-11
We have added the MULTI TRACK option to the AS11 AVC-I 100 encoder in Broadcast H.264 encoders, which can be activated on the Render Page. When enabled, and sameAsSource is selected in the MIX field, each audio track on the timeline will be rendered as separate audio deliverables.

Automatic Frame.io Upload
There is a new Auto Upload Renders setting in the Cloud Storage settings in On-Set Dailies, which allows for enabling/disabling the automatic upload of deliverables from Frame.io Web encoders.

New Metadata Pattern for Avid MXF Clipname
A new default option, $Scene$-$Take$_$MultiCam$$Selected$, has been introduced in the Avid section of the Settings Page for specifying MXF Clipname metadata written into Avid encoder MXF files. This option allows for configuring metadata injection using predefined patterns or by entering custom values

Invite Viewers to Stream Sessions from Menu
On-Set Dailies now allows you to send invitations to stream sessions directly from the menu, using the new View » Stream Output menu option, and adding the email address(es) in the pop-up window.

Framing Error Detection
On-Set Dailies now features an Auto QC encoder on the Render Page, available in the new QC-related encoder group, which automatically detects framing errors like inconsistent mattes and black borders in images.

Framing Track on the Timeline
The timeline's new Framing track, created by the AutoQC encoder, utilizes markers to highlight framing value changes on the timeline. DPX and CSV files are generated to identify black pixels and frame details.

HDR Nomenclature Change and Improved HDR Report
The HDR nomenclature has been updated to align with industry standards, with the color space option renamed to PQ in the Analyzer. Our improved PDF HDR report now identifies any deviations in color and brightness.

Second Head Analyzer on macOS
The Second Head Analyzer, a powerful image analysis tool in On-Set Dailies, is now integrated into macOS, expanding its availability from Windows to offer macOS users a seamless experience.

Web UI 2.4.3 Update
Colorfront's Web UI has been updated to version 2.4.3, introducing features such as favorite folders in the file browser, NexGuard watermarking in User Forms, or global settings for User Forms without authentication - all enhancing usability and functionality.

Image Preview for Background Rendering
Colorfront's Web UI elevates the background rendering experience, enabling users to visually monitor the progress of their rendering jobs as they advance, with regularly updated thumbnails of the footage.

Enhanced Probing
On-Set Dailies' probing feature has been significantly upgraded, with expanded support for various file formats and the introduction of recursive probing. Users can now extract metadata more efficiently, with basic metadata displayed in blue, along with a separate file data dump for convenience.